Tänavusel loodusfotovõistlusel Vereta Jaht pildile püütud lindudest ja loomadest valisid korraldajad näitusele 55 fotot, mis on kõigile fotohuvilistele näha RMK uues kontoris Tallinnas Toompuiestee 24. Viiendat korda valis žürii võitjaks Ingmar Muusikuse, kes püüdis kaadrisse noorte põtrade esmakohtumise.
Juba 16. korda toimunud Vereta Jaht peeti tänavu kevadel Läänemaal – Silma looduskaitsealal, Martnas, Piirsalus ja Linnamäel. Jahi käigus tehtud ja näitusele valitud loodusfotod on varustatud ka autori kirjeldusega selle sünniloost.
Vereta jahi peakorraldaja Tiit Hundi sõnul on Vereta Jahi fotonäituse juhtmõte näidata piirkonna looduse iseärasusi ja sealset liigirikkust. “Kuigi tänavust Vereta Jahi vapilooma kährikut ei õnnestunud ühelgi fotograafil pildile jäädvustada, on sel aastal näitusel mitmeid erakordseid fotosid ning kaamerasilma ette jäänud suur hulk linde annavad väga hea ülevaate piirkonna iseloomulikust looduslikust mitmekesisusest,” selgitas Hunt.
Kokku oli tänavusel pildijahil 35 osalejat, kellest paljud on tuntud ja hinnatud fotograafid.
Fotovõistluse Vereta Jaht võitjad ning neid auhinnanud ettevõtted-organisatsioonid:
• Ingmar Muusikus (põdrad rannal) – Vereta Jahi meister, AS Overall Eesti, ajakiri Eesti Jahimees/Eesti Jahimeeste Selts
• Ingar Muusikus (kajakad vihmas) – Silma Õpikoda, Looduse Omnibuss, ajakiri Loodusesõber
• Ollar Kallas – ajakiri Eesti Mets
• Jarek Jõepera – hotell Pesa
• Aigar Kull – ajakiri Eesti Loodus
• Tõnu Noorits – ilm.ee
• Olavi Hiiemäe – RMK, Jägermeister
Vereta Jaht on loodusfotovõistlus Eestimaa loodusmaastikel, mis toimus tänavu 16. korda. See on küttimisretk, kus relvadeks on fotokaamerad, laskemoonaks mälukaardid ning jahisaagiks hulgaliselt looma- ja looduspilte.
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鹿島茂 「パリ万博絶景博物館(8)300mの塔誕生顛末記」 (『施工』 363号 1996.1 )
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A woman wearing men’s clothing does not conform to the feminine ideal and as such is recognisably subverting it. The fact that this subversion is identifiable highlights the gendered nature of the fashion industry and the way in which it supports society’s belief in the feminine being separate from the masculine. If gender identity is learnt, then by choosing our own clothes we reflect how well we have learnt to be masculine or feminine. For cross dressers fashion is a means of either constructing a gendered identity different to the one expected of them or parodying the constructed nature of… Loe rohkem »
In society today there is a clear divide between fashions considered feminine and those considered masculine. However, is this a result of the fashion industry itself, or is the industry merely reflecting the changing attitudes of society as a whole? It is difficult to determine where the line between gender reproduction and gender construction stands in regards to fashion and dress, as it can be read in a number of ways. Fashion has been used in attempts to deconstruct gender stereotypes, as in some cases of cross dressing, but has also been used as a means of reinforcing them via… Loe rohkem »
Fashion perpetuates the image of the slender woman being the ideal feminine and can sometimes have significantly detrimental effects. Due to the mass production of clothing, it has become easier for the fashion industry to encourage women to be slender (Macdonald, 1995, p208). Many of the most fashionable garments are not made larger than a woman’s Australian size fourteen. This encourages women to diet and exercise in order to lose weight, a trend also encouraged by the many advertisements involving slender women. One disturbing result of society’s fascination with being thin has been the rise in eating disorders, including anorexia… Loe rohkem »
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High heeled shoes, like the corset, are an example of fashion supporting the female gender identity by constricting and binding women. The narrow toed high heel shoe that has been so popular in recent years, forces the foot and ankle into an unnatural position, as well as restricting the toes. The heel places the foot at an angle, making the legs look longer and more elegant and drawing attention to the ankle (which has long been associated with physical attraction) (Lurie, 1992, p227). This angle also forces the woman to ‘strut’ to some extent in order to walk. The unnatural… Loe rohkem »
In society today there is a clear divide between fashions considered feminine and those considered masculine. However, is this a result of the fashion industry itself, or is the industry merely reflecting the changing attitudes of society as a whole? It is difficult to determine where the line between gender reproduction and gender construction stands in regards to fashion and dress, as it can be read in a number of ways. Fashion has been used in attempts to deconstruct gender stereotypes, as in some cases of cross dressing, but has also been used as a means of reinforcing them via… Loe rohkem »
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