Läänemaa jalgpalliklubi osales kolmandat aastat järjest Eesti jalgpalli liidu poolt korraldataval Triobeti aastalõputurniiril. Tänavu võeti osa III liiga 1. turniirist. Läänemaa JK loositi ühte alagruppi koos EMÜ SK, FC Otepää ja JK Kaitseliit Kalevi duubelvõistkonnaga.
Läänlaste esimeses mängus oli vastaseks EMÜ SK, kes lõpetas tänavusel aastal III liiga lõunatsoonis kuuendal kohal. Kohe varakult jäädi kaotusseisu, kuid tänu Aare Avila sooloväravale ja Vladislav Šikirjavõi väravale võeti 2:1 võit enne viimast minutit ära.
Teises mängus tuli vastane samast liigast, kuid FC Otepää lõpetas seal kolmandal tabelireal. Läänemaa JK kaotas mängu 2:3. Läänlaste väravad lõi Mark Kolosov.
Kaotus oleks enamikul juhtudest tähendanud ka turniiri lõppu, kuid 3:2 võit viimases alagrupi mängus Kaitseliit Kalev II üle ja FC Otepää viik EMÜ SK-ga tähendas Läänemaa jalgpalliklubi edasipääsu poolfinaali.
Poolfinaalis kohtuti A-alagrupi võitja JK Tulevik Vanakestega, kellega Läänemaa JK kohtus eelmise aasta aastalõputurniiri finaalis. Selles mängus mängiti välja 2:2 viik 0,6 sekundit enne mängu lõppu ning lõpuks võideti turniir penaltitega. Seekord võttis aga Tulevik revanši ning alistas Läänemaa JK 1:0.
3.–4. koha mängus alistas Läänemaa JK FCF Järva-Jaani 2:0 Rener Uibopuu ja Vladislav Šikirjavõi väravatest. Vladislav Šikirjavõi sai oma kolmanda väravaga ka jagatuna turniiri edukaimaks väravakütiks, kuid kuna Pavel Rubel tuli JK Tondi koosseisus turniiri võitjaks, anti auhind temale. Sama saatus tabas Vladislav Šikirjavõid ka paar aastat tagasi, kui mängiti veel B-vanuseklassi aastalõputurniiril ja tuldi Haapsalu FC Floraga teisele kohale.
Läänemaa Jalgpalliklubi koosseisus mängisid Ken Sinkevicius, kes valiti ka turniiri parimaks väravavahiks, Rener Uibopuu, Tarvo Manni, Aleksandr Molkov, Mark Kolosov, Martin Salf, Bert Rotberg, Talis Tamm, Aare Avila, Vladislav Šikirjavõi ja Leonid Bragin.
Bert Rotberg
Judith Butler has been an influential figure in the study of whether gender is a construction or inherent. According to Butler in her book Gender Trouble, a gender identity is a series of gender signifiers, for example, gestures, which are learnt via mimesis and reinforced through repetition (Butler, 1990, p6). Through this reinforcement the performance of gender also becomes internalised so that we come to believe these masculine and feminine identities are ‘normal’. As such, gender is a social construction imposed on individuals based on their anatomy (sexual identity) (Butler, 1990, p6 If gender identity is learnt, then it is… Loe rohkem »
High heeled shoes, like the corset, are an example of fashion supporting the female gender identity by constricting and binding women. The narrow toed high heel shoe that has been so popular in recent years, forces the foot and ankle into an unnatural position, as well as restricting the toes. The heel places the foot at an angle, making the legs look longer and more elegant and drawing attention to the ankle (which has long been associated with physical attraction) (Lurie, 1992, p227). This angle also forces the woman to ‘strut’ to some extent in order to walk. The unnatural… Loe rohkem »
10月9日、東京ビッグサイトにて、「第26回日本メガネベストドレッサー賞」表彰式が開催され、女優の武井咲が「特別賞」を受賞。この表彰式に出席し、眼鏡姿で受賞の喜びを語った「日本メガネベストドレッサー賞」は、眼鏡の最も似合う各界の著名人を、さまざまな部門で表彰するもの。武井が受賞した「特別賞」は“今後メガネをかけてほしい人”に与えられる賞となっている（武井咲オフィシャルサイトより参考画像）
kawamori-dental.com http://kawamori-dental.com
寒くなくて、曇ってるんだけど穏やかな天気。風がなければもっと良いけど。
hot.advantagedesignconsultants.com http://hot.advantagedesignconsultants.com
Madonna has been a ‘sex symbol’ for decades, with her streamlined, slim, healthy body and attractive blonde image conforming to the feminine ideal. She has become a loaded sign in herself. In this way, when she makes the corset visible it becomes fetishised. The revealing of undergarments is already a sexual image, but by coupling it with a sexual body this effect is enhanced (Lurie, 1992, p6). She also does not appear uncomfortable in the garment, and can move easily about the stage, thus indicating that if one conforms to this stereotype then they will achieve some element of freedom.… Loe rohkem »
In society today there is a clear divide between fashions considered feminine and those considered masculine. However, is this a result of the fashion industry itself, or is the industry merely reflecting the changing attitudes of society as a whole? It is difficult to determine where the line between gender reproduction and gender construction stands in regards to fashion and dress, as it can be read in a number of ways. Fashion has been used in attempts to deconstruct gender stereotypes, as in some cases of cross dressing, but has also been used as a means of reinforcing them via… Loe rohkem »
一時は存続の危機もあったらしいから深刻だ。かろうじて生き延びたのも、将来性を見込んでのことではなく、同誌に対し社長の思い入れがあったからだった。売れないままでは未来がない太田さんは元『LEON』編集部。ちょいワル路線は話題になり成功したが、後発誌が同じ方法論でやっていたのでは先達を超えることなどできないと考え直す。自身と同年代の37.5歳をメインターゲットに定め、何が求められているかを考え抜いたそこから導かれた答えが、原則にこだわるのをやめることだった。男性ファッション誌は男の憧れが詰め込まれたものという概念を捨てるのだ。リアルなものも取り入れていく。ギャンブルだが、生き残るにはそれしかない「雑誌のテイストをカジュアルに絞り込み、内容的にはONとOFF両方ではなくOFFタイムの提案を重視するようにしました。憧れとリアルのバランスを取りながら編集する中で、日本人のおっさんのリアリティを前面に出した名物企画、“街角パパラッチ”が生まれたんです」
ppilk.com http://ppilk.com
ひとり目のお客様は李先生マークジェイコブスのシャツを買ってもらいました(∀)
mkvtoaviconverter.org http://mkvtoaviconverter.org
Judith Butler has been an influential figure in the study of whether gender is a construction or inherent. According to Butler in her book Gender Trouble, a gender identity is a series of gender signifiers, for example, gestures, which are learnt via mimesis and reinforced through repetition (Butler, 1990, p6). Through this reinforcement the performance of gender also becomes internalised so that we come to believe these masculine and feminine identities are ‘normal’. As such, gender is a social construction imposed on individuals based on their anatomy (sexual identity) (Butler, 1990, p6 If gender identity is learnt, then it is… Loe rohkem »
A woman wearing men’s clothing does not conform to the feminine ideal and as such is recognisably subverting it. The fact that this subversion is identifiable highlights the gendered nature of the fashion industry and the way in which it supports society’s belief in the feminine being separate from the masculine. If gender identity is learnt, then by choosing our own clothes we reflect how well we have learnt to be masculine or feminine. For cross dressers fashion is a means of either constructing a gendered identity different to the one expected of them or parodying the constructed nature of… Loe rohkem »